Edward Gorey first read Dracula at age five. He continued to interact with that story for many decades after; one could say that the horror of Dracula became instilled in his artistic style.
Gorey illustrated Dracula in the 1950s when he worked for Doubleday. There’s an edition published by Barnes and Noble in 1996 that I believe (I hope) is the same as the 1950s version, titled Dracula: The Definitive Edition.
In 1977, Dracula came to Broadway and Edward Gorey made his mark on the production. He designed the costumes, for which he won a Tony award, and the sets. The costumes, which are in the style of the 1930s, bring the 19th-century horror tale into a (somewhat) more modern setting.
The best part of the 1977 Dracula is, of course, the stunning sets. Paired with sparse furniture, Edward Gorey’s illustrations form the entire environment of the play.
Edward Gorey’s Dracula: A Toy Theatre replicates the main set and characters for you to put on your own mini play, so if you’re into mini things, check it out.
Next week, for my last Gorey post, I’ll expand a little more on Gorey’s costumes and fashions.